Tori Amos: Music has always been healing for me

July 22, 2011 by  
Filed under New World Music

“Music has always been healing for me, since I was little. I can really be in pain, then listen to or play music, and I feel things…ease. I feel the music play me, so that I become an instrument that it plays.”

Tori Amos performing during her Dew Drop Tour in 1996

Photo: krissikes

I recently came across this quote by Tori Amos and found myself nodding vigorously. Having been in physical pain for the past few months now, I feel better whenever I listen to music or sing. It makes me forget the pain and move on. When listing to Tori Amos, one gets transported into a strange world of soft words and harsh lyrics that cause a dissonance that is intended.

No stranger to pain, Tori Amos is an intense artist and performer whose voice, words and visuals don’t leave their audience for quite some time. Gutsy and honest, she uses her songs to say out loud to the world what she going through and what moves her: be it sexual assault, break-ups, miscarriages, marriage and motherhood – in that order. As founding member and spokeswoman for The Rape, Abuse & Incest National Network (RAINN), she shows that activism is something we all can engage in – regardless of how busy, ashamed or famous we are.

Born in North Carolina in 1963 into a very religious home (her father is a Methodist pastor), Tori’s musical talent shone threw from the age of two when she started playing the piano. By age five, she was already composing instrumental pieces and won a full scholarship to the Peabody Conservatory of Music. After six years, the school asked her to leave, however, which Tori claims was due to her difficulty reading sheet music and her preference for rock ‘n roll.

This didn’t hinder Tori’s career – she won numerous singing and composing contests and starting performing in bars in clubs from the age of 13. At 21, she moved to Los Angeles to perform her music career full time. Two years later, she founded her first band – Y Kant Tori Read – and in 1988, the band’s self-titled album came out, which wasn’t a commercial success.

Tori Amos released her first album Little Earthquakes in 1992, which became her big breakthrough. The songs “Crucify” and “Silent All These Years” went on the charts, so did “God” and “Cornflake Girl” of her next album, Under the Pink (1994). Boys For Pele (1996), From the Choirgirl Hotel (1998), To Venus and Back (1999), Strange Little Girls (2001), Scarlet’s Walk (2002), The Beekeeper (2005), American Doll Posse (2007), Abnormally Attracted to Sin (2009) and Midwinter Graces (2009) bear witness to a very productive and successful musical career.

Each album was accompanied by an elaborate tour – always a treat for fans as concert pro Tori Amos is known for her spellbinding live shows. Apart from the ones mentioned earlier, her most successful songs to date are “Caught a Lite Sneeze”, “Professional Widow”, “Spark”, “1000 Oceans” and “A Sorta Fairytale”. By the end of 2005, Tori Amos had sold 12 million albums worldwide and has been nominated for 10 Grammy Awards.

With so much talent, it’s hard to pick just one song. Listening to various albums and comparing her various styles is a treat that one should indulge in once in a while.

Other posts you may enjoy: More on New World Music with Womad, Peter Gabriel, More on Pop Music with Annie Lennox, Sade, More on Marcome’s world , Enjoy best New Age Music, Fantastic New Age Singers.

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Thanks for your comments. Marcomé


4 Responses to “Tori Amos: Music has always been healing for me”
  1. Marcome not sure what happened to to many peps tryed to talk at one time! try this e-mail working on web site along with skype yes Tori holds a close place in my heart. hope your studio is drying out best wishes twitter me some love your friend Jim

  2. jimmy says:

    Music has always been healing for me. While I have always found listening to music helpful, I have gained far more from creating and performing music. I have shared here a few covers over the past couple years—see my Music Gallery. While those pieces mean a lot to me, and I am glad I shared them, there has always been a fair amount of difficulty “sharing myself” through my music in any kind of public way that is emotionally authentic. As a result, how I play in private is almost always very different from how I play in public. I could attribute it to nerves, and there would be some truth to that.

  3. Mark Bensette Aux Bois says:

    What a great site!! Thx for the great Tori artile.!! Will be on here alot , thx,, A fellow Canadian and New age artist.

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